Husserl's ambitions for a phenomenology of the arts

Allan Casebier

1-5

Romance

the question of perception reconsidered in Hawthorne's "Rappaccini's daughter"

Luis Acebal

7-12

Seeing color appearances

Melinda Campbell

13-18

Metaphor in cinema revisited

Victor G. Rivas López, May Zindel

19-23

A phenomenology of 3-D cinema

Kurt R. Cline

25-28

Human activity and situation

freedom and commitment

Patricia King Dávalos

29-33

Mediation and retention

the question of technics as memory

Francesca Dell'Orto

35-39

Vivifying philosophy via visual media

Heidegger's Parmenides

Luanne Frank

41-47

Mediated minds

Satoru Hirose, Shoji Nagataki

49-53

Augmented reality, phenomenology and the disclosure of our "personal" creator

Nicola Liberati

55-58

Crisis in film studies

Paul Majkut

59-63

Perception as style

the cinema of Claire Denis

Codruta Morari

65-69

The future needs tradition

Michael McAnear

71-75

Body extended. the corporeality in new media art

some examples

Maja Mumik

77-81

The power of media and technology

Polana Tratnik

83-87

Disclosing worlds

photography as a contemporary art

Marc Van Den Bossche

89-94

Toward an epistemology and phenomenology of "self-tracking"

preliminary steps

Yoni van den Eede

95-99

Meaning-formation in everyday life

a phenomenological analysis of patriotic feelings

Tõnu Viik

101-105