Table of contents

The aesthetic discourse of the arts

Anna-Teresa Tymieniecka

11-14

The creative impulse and the aesthetic discourse of the arts

Anna-Teresa Tymieniecka

3-16

Breaking the frame

Transgression and transformation in Giulio Romano's Sala dei giganti

Paula Carabell

19-34

The nineteenth-century landscape and twentieth-century space

Traumatic loss or trace of memory?

Joan Fiori Blanchfield

35-55

Alechinsky, cobra and the book

Renée Rises Hubert

57-70

Aspiring to the condition of music

Hardy and his art from the 1840s to the 1890s

Karen Karbiener

71-85

Counterpoint in print

Okot P'bitek's Song of Lawino and Song of Ocol

Rosemary Gray

87-102

Semiotics and musical choice

"beyond analysis" revisited

David Lipton

105-142

When is a work of music real?

James Parsons

143-163

Machine-time, passion-time, and time that trembles

Debussy and Baudelaire

Stephen BROWN

167-178

Baroque and classical aesthetic visions

Cynthia Osowiec Ruoff

179-187

To consociate and foster the self

Tony Raczka

189-198

Inanimorata: the dread of things

Michael Vanpelt

201-210

Musical and visual encounters

An investigation of the aesthetic experience

Robyn Gangi

211-240

"We need not fear" expressivity and silence in the early work of John Cage

Randal Davis

241-250

Berlioz's programme and Proust's sonate

Parallel quests to bridge the gaps in musico-literary expression

Candace Skorupa

251-271

Index of names