Introduction

1-16

Dialogism and film studies

the dialogic spectator

17-52

Chronotope I

time, space, narrative — "get ready for rush hour"

53-82

Chronotope II

time, space and genre in the Western film

83-126

Polyphony

authorship and power

127-154

Hollywood calling

cinema's technological address

155-180

Conclusion

making it real

Amy E. Varela

181-188